目.錄
【古代美學】
美字本義及其引申路徑新考 …………………………………肖琦（ 3 ）論《周易》誠與孚蘊含的中和之美 …………謝金良李治磊（ 19 ）替代之厄：美學視野下宋明之間偽古玉的接受研究 ……………劉婷婷（ 33 ）順應與賦新：舟船互文間的造物美學隱喻 ………………………熊承霞（ 50 ）論吳喬以意象為中心的詩學思想…………………………………陳娟（ 66 ）
【藝術美學】
書貴自然論自然與自由及勢的關系…………………………………高喜鋒（ 85 ）中華文學對自然審美之自然的多維觀照 ……………………蓋光（101）五代山水畫與唐宋畫學轉型………………………………………周奕希（ 116）多點透視與以大觀小：從年希堯的《視學》看中西繪畫對于真實概念的理解………………………………………………………衛(wèi)�。�142）造化在手，心運無窮松年畫論中的藝象創(chuàng)構思想………………………………趙婧潔（ 156）形與意的融合鄧以蟄的繪畫境界論………………………………………時春霞（ 173）
【當代美學】
海外華人學者中國美學觀范疇闡釋的三個維度 ……………曾旭彤（ 193）中西互鑒視閾中的宗白華氣韻生動說解繹 …………………王意（212）當代美學中的虛構主義……………………………………………陳常燊（ 229）詩意長江的大美精神………………………………………………周計武（ 242）
【西方美學】
想象、審美性質和趣味 《道德情操論》中的三個美學問題 ………………………朱俐俐（ 259）感情移入與東西詩學大西克禮美學思想管窺……………………………………彭英龍（ 274）圖表與第三條道路：德勒茲藝術時間論的康德源頭 ……林梓豪（ 292）生成中國：德勒茲的中國美學問題 ………………劉欣凌雪萍（ 313）知覺與表達：維維安·索布切克論電影身體和電影體驗 ………王寧寧（ 331）重估災難的價值：西方災害思想述略 ……………………………楊興玉（ 349）
【書評】
關于中國美學研究方法論的反思與探索讀朱志榮《中國古代美學思想研究方法論》 ……………譚玉龍（ 367）審美中介論的建構 《藝術審美的心腦中介機制》述評 ………………………宋杰（377）
稿約............................（391）

CONTENTS
【Chinese Classical Aesthetics】
A New Examination of the Original Meaning and Extended Pathways of the Character mei (美 ) ……………………………Xiao Qi ( 3 ) The Aesthetic Ideal of Harmonious Balance in the Zhou Yi: A Study of the Concepts of Cheng and Fu ……………… Xie Jinliang Li Zhilei ( 19 )
The Crisis of Replacement: A Study on the Acceptance of Replicated Ancient Jade between the Song and Ming Dynasties from an Aesthetic Perspective ……………………………………… Liu Tingting ( 33 )
Adapting and Renewing: the Innovation Aesthetic Metaphors in the Intertextuality of Boats ……………………………… Xiong Chengxia ( 50 ) On Wu Qiaos Poetic Thought Centered on Imagery……………Chen Juan ( 66 )

【Artistic Aesthetics】
Calligraphy Value Nature: On the Relationship between Calligraphy and Nature, Freedom and Shi ……………………………… Gao Xifeng ( 85 )
Multi-dimensional Reflection on the Nature of Natural Aesthetics
in Chinese Literature ……………………………………… Gai Guang (101) Landscape Painting in the Five Dynasties and Painting Thoughts Transformation between Tang and Song Dynasties ………… Zhou Yixi (116)
Multi-Point Perspective and Seeing the Small from the Viewpoint of the Large: Examining Three Understandings of Reality in Chinese and Western Paintings through Nian Xiyaos Shixue ………………Wei Jun (142)
Creation in the Hands, Infinite in the Mind: the Artistic Imagery
Creation and Construction Ideas in Songnians Painting Theory ……………………………………………………………… Zhao Jingjie (156)
The Fusion of Form and Mind: Painting Realm Theory of Teng Yizhe ……………………………………………………………… Shi Chunxia (173)

【Contemporary Aesthetics】
Three Dimensions of Chinese Aesthetics Guan Explanation by Overseas Chinese Scholars ………………………… Zeng Xutong (193) A Study of Zong Baihuas Theory of Rhythm and Vitality
Through Sino-Western Mutual Learning …………………… Wang Yi (212) Fictionalism in Contemporary Esthetics ……………… Chen Changshen (229) Great Beauty and Poetic Spirit of the Yangtze River …………Zhou Jiwu (242)

【Western Aesthetics】
Imagination, Aesthetic Quality and Taste: Three Aesthetic Issues in The Theory of Moral Sentiments ……………………………Zhu Lili (259) Empathy Theory and Poetics between Eastern and Western: An Examination on Oonishi Yoshinoris Aesthetic Thought ……………… Peng Yinglong (274) Diagram and a Third Path: The Kant Origins of Deleuzes Time Theory of Art …………………………………………… Lin Zihao (292) Becoming-China: Deleuzes Chinese Aesthetic Problems ………………………………………………… Liu Xin Ling Xueping (313) Perception and Expression: Vivian Sobchack on the Film Body and Film Experience ……………………………………… Wang Ningning (331) Revaluing Disasters: A Brief Introduction to Western Thoughts of Disaster ……………………………………………… Yang Xingyu (349)

【Book Review】
The Rethinking and Exploration of Research Methodology of Chinese Aesthetics: A Book Review of A Study on Research Methodology of Ancient Chinese Aesthetics ………………………………… Tan Yulong (367) The Construction of Aesthetic Intermediary Theory: A Review of Intermediary Mechanism of Mind and Brain in Art Aesthetic …… Song Jie (377)

Notice to Contributors ……………………………………………………… (391)